Friday 16 January 2015

First Footage From Philip K Dick's Man In The High Castle







Kim Fowley R.I.P.

Kim Fowley Dead at 75


Al Green - For The Good Times/Love and Happiness (Soul Train 1973)


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Florida police use photos of real people for target practice

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The Cinema of Michael Mann

Ralph Steadman on Charlie Hebdo, the Right to Offend and Changing the World

Tamara Williamson - Victoria


I was pretty sure I was done with writing music until I wrote "Victoria". I've never felt the need to speak up about women’s rights before ...But a story burst my bubble and I took a look around...
One morning in 2013 I was driving my son to school listening to The Current on CBC. I was pulled into a story about a woman from Argentina named Victoria Montenegro.
At the age of twenty Victoria found out that the parents who had raised her were not her family, and had been responsible for her abduction as a baby. After many years of searching Victoria found that her father had been a victim of the “death flight’s” where thousands of young Argentinian citizen’s were thrown alive from planes into the Atlantic Ocean. Her mothers body has never been recovered.

Arca - Sheep (Hood By Air FW15)


Hood By Air for Pitti Uomo FW15 score
Art by Jesse Kanda
Tracklist:
1. Matriarch
2. Pity
3. Drowning
4. En
5. Sifter
6. Submissive
7. Umbilical
8. Hymn
9. Don't / Else
10. At Last I Am Free (interlude)
11. Immortal
Mastered by Matt Colton at Alchemy
Sifter - contains a sample of ”Yayo Ha /W Lana Del Rey" by Beek ( @anthonybadon9 ) at 4:45
Interlude - contains a sample of “At Last I Am Free” by Robert Wyatt at 12:55
Immortal - contains a sample of ”Enjoy" by Bjork at 13:15

Thursday 15 January 2015

The Final Programme (1973)


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Pamela Geller's new anti Islam ads reach a new low

Why Bitcoin Can’t Crash

Rick Rubin & Justin Bieber working together


Roberto Saviano: My life under armed guard

At Silk Road trial, federal agent explains how he trapped Ulbricht


PJ Harvey: 10 of the Best

HA!

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What if the Paris attacks weren’t just about free speech?

Wednesday 14 January 2015


Manus Island hunger striker pleads to see Australian daughter before he dies

Corruption and Revolt

Sherwood & Pinch Mix 1

The Pragmatic Realities of the Islamic State


The Issam Fares Institute for Public Policy and International Affairs held a public lecture entitled: Marketing Utopia: The Pragmatic Realities of the Islamic State by Peter Harling, Regional Analyst and Former Advisor to the Special Envoy to Syria

Jeremy Scahill's pot-shot at TV terrorism experts

Davy Henderson on music and the power of one

"I remember the Fire Engines playing with U2 in Valentino's in Edinburgh," Henderson says of a 1981 club show with the future messiahs. "We were sound-checking, and Bono came in singing 'Ave Maria.' It's interesting the radius that developed from out of that little pebble-drop, and the choices we made as a band and the choices they made, so now they're an industrial corporation, who, by dropping five-hundred million copies of their album onto iTunes automatically, completely devalued their music to the level of it becoming spam. That's not rock & roll. That's fascism. So we're actually doing something that's more than polar opposite of what they're doing. It's not just the opposite. It's like a black hole inversion

What Your Taste In Music Says About You, According To Science

Well from the photo above I can tell you have exceedingly shit taste
7 writers, comedians, and cartoonists discuss humor, hate, and the Charlie Hebdo shootings

Tuesday 13 January 2015

Freedom of speech is now compulsory

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Malcolm Ross Band - Heaven's Door (Melbourne 10/1/15)


Live @Handsome Steve's House Of Refreshments Fitzroy

Never released Beastie Boys video


Beastie Boys' Unreleased "Too Many Rappers" Video Featuring Nas
Directed by Roman Coppola

Helen Green: Bowie


Thurston Moore/John Moloney - Full Bleed


For their latest spiritual odyssey, Thurston Moore and John Moloney deliver the volcanic and violent maelstrom, Full Bleed. But unlike the helter-skelter out-jazz of Caught on Tape (“Full bore savage highway stuff, the mind exploding with wall melting emotion,” says Moore/Moloney about that platter), Full Bleed collects nine Herculean sludgefeasts dripping of gnarly metal-damaged heaviosity and punk-jazz skronk-splattered fury, transmitted in an alien language only this duo can convey. “They became songs as they were played,” Moore/Moloney explain about their writing process. “Composed on the fiery tongue, like how all real cool improv needs to be experienced.” And as far as assigning actual names to the songs? “We titled them to identify them as distinct ‘songs’ because that is what they need to be to survive in this fucked landscape of politician dung patrol. They became snakes.”
With the pulverizing thumps ‘n’ thwacks and cymbal-crashing annihilation Moloney inflicts on the skins melted to Moore’s hefty metallic wasteoid licks and jazzmongering fuckery heard on opening salvo “Age Limit,” the title track and “Dispute,” it’s apparent Full Bleed is a distinct beast thick with black metal riffer vibes, sans corpsepaint.
Full Bleed penetrates a stratosphere of brutal heaviness and spazzcore jazz traversed by Moore and his fellow figureheads in yesteryear downtown NYC at defunct experimental/jazz hubs, The Knitting Factory, Tonic and The Cooler. Pedal-hopping, apocalyptic doom metal torture (“Full Bleed”), mangled avant-jazz noise noodlage (“Self-Rule”) and tasty SY-like space rock jammage (“Arguing with a Balloon”) portends two dudes on a mission of absolute devastation. Recorded at Sonelab in Easthampton, Massachusetts with oft-engineering cohort Justin Pizzoferatto and cover art courtesy of Moloney, Full Bleed is the heaviest of spasmodic bliss from two kindred bohemian noise spirits.
A tour in support of Full Bleed may transpire. Or not. “John and I, whether in Caught on Tape, or in any of our other side projects ALWAYS tour,” says Moore. “We are soldiers of the road, warriors of the wing – buses, vans, cars, trains, bicycles — we get to gigs and we plug in whether we are expected to or not. We just may play again in support of this LP if we can find the minutes where the universe allows us to be in the same room at the same time.”

A Drug Warrior's Inside Look at the War on Afghanistan's Heroin Trade


In search of Haruki Murakami


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Shots Fired: Episode 84 - The Bug (Kevin Martin)



Shortly before the year ended, The Bug (Kevin Martin) stopped by the Cosmic Zoo amidst his U.S. tour for his latest stellar album, "Angels & Devils."
Over the last two decades, Martin has cut one of the most singular and innovative paths in electronic music, grime, and UK hip-hop. If none of that makes any sense to you: think the British analogue to El-P.
During this one-hour interview, he talks to Nocando and Jeff about moving to Berlin, contemporary music culture, the time he almost worked with M.I.A., his love of The Weeknd, and other great stories and insight from his legendary career
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'Silk Road Reloaded' Just Launched on a Network More Secret than Tor

Snowmen condemned in Saudi Arabia amid concern they 'promote lustiness and eroticism'

School asks students to bring canned goods to stop school shooters

'KILL THEM ALL'

David Pope

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Divided They Stand