Tuesday, 23 December 2014

Bruce Springsteen - Born to Run Isolated Vocals


The DJ Producer - 25 Years of Raw & Raunchy Beats For DJ's

Björk reading nativity tale in 1976 aged 11


Bruce Schneier: Did North Korea Really Attack Sony?

North Korea is suffering a complete internet outage

Firewater (Beerlin)



bvdub - Sleep Tight, Ono (isolatedmix 50)

This mix intertwines two meanings: sleep and death (I know, so surprising, me and death). It was originally to embody the former, but ended up also taking on the latter, due to the time it was made. Plus I guess in the end, are the two really so different?
I’ve suffered from insomnia my whole life – and when I say my whole life, I mean it. I was diagnosed and began (attempting to get) treatment for it literally from kindergarten. So sleep has always been a strange, beautiful, frightening, monster that I’ve both feared and hunted my whole life. It’s often an underlying (or sometimes prevailing) theme in much of the music I make as well, as it is, unfortunately, a big part of my life and greatly influences who I am and how I see the world, for better or worse. Mostly worse I guess, depending on when you ask me.
So I set about making a mix to tell the story of sleep – yeah I know, wow, what a fucking landmark moment – an ambient mix about sleep. But it’s not just ‘music to sleep to.’ It’s more my personal account of the massive undertaking that is sleep – with all its fears, anxieties, concessions, and mostly elusive but occasional pleasures. It’s the story of an entire night’s sleep – from lengthy preparations, to failed attempts, to small victories, and the heavens that they hold, as well as the often painful but inevitable memories of the night gone by as I sit and examine it the following morning. It’s as much about the concept of sleep itself as it is a kind of diary of a night’s sleep in my world – not that I would wish my world on anyone.
But as it so happened, literally as I sat down to begin making the mix, I had a super small kitten, Ono, die on my watch. No I’m not trying to make everything I do about cats, don’t worry, but they are a massive part of my existence and everything I do, and anything I do musically is a direct reflection of my own life as it’s been, as it comes, or as I wish it would be… none of which I can control. Besides music, my other reason for living is rescuing homeless and dying cats, and my house serves as a sort of makeshift shelter (well I guess it’s more of a shelter for me, as they pretty much run it), and I often take in cats that are as near death as any living being can get. So for some unbeknownst reason I surround myself with intense suffering and sadness, or the intense risk thereof, on a daily basis. Well actually the reason isn’t unbeknownst, but I won’t bore you with it.
Ono was already nearly gone from starvation when I found him. I never really knew him, as he spent more time unconscious than conscious, but I named him in the hopes that establishing some sense of permanence would give him the spirit he needed to survive. After nearly a week of hospitalization and constant attempts to bring him back from the brink, I was unsuccessful, and he passed away. Strangely enough, it was as I sat down and was literally about to start the mix, I had a sudden feeling of panic and went to check on him in the other room, where I found that he had already begun his journey out of this life.
When I knew he wasn’t going to make it, it was too late at night. I couldn’t get anyone to take him out of his pain, and so I had no choice but to let him go through hours of anguish. I never went back to turn my equipment off, and instead just sat with him, petting him, attempting to be a loving voice, and tried to let him know someone was there, even though at that point I don’t think he knew anything anymore. It got me thinking, as I sat with him till sunrise, as I often do by myself, the parallel between the two. For years I sought ways to put myself down every night at any cost, both to my wallet and my health. How many times had I felt the night would never end… or honestly been willing to trade in the torture for a final end to it all? We all just want an escape, and for our pain to end… whether some of us choose or are chosen by death, or choose or are chosen by sleep.
I sat with him until he was gone, took him downstairs and buried him under a shady, quiet tree, and came back upstairs, sitting in silence. By that time it was already around 9 in the morning, and at that point I hadn’t slept in two days. As much as I wanted to attempt to do so, it wasn’t going to happen for a myriad of reasons. So I went back into my studio, where I found all my equipment on and ready, as I had left it nearly 12 hours before, and I proceeded to tell the story I needed to tell… both for myself, and for Ono, to wish him peace. I was tired beyond comprehension… but I guess that was fitting in a lot of ways. I made the mix in one take, turned everything off, and collapsed into my bed, where I managed only a few hours of sleep, but which strangely enough nearly exactly mirrored the contents of the mix, as it echoed its soundtrack in my subconscious.
This mix was made 100% live in one take on 2 Discmans and 2 computers (yes Discmans, not iPods), in a conscious melding of my old-school ways with the new, doing all the selecting and mixing live on Discmans (as I did for years with my ambient mixes, on the radio, and in chill rooms), while looping and editing live on the two computers simultaneously. I employed a weird, traditional (for me) method that I used for years – choosing at random hundreds of tracks and burning them to CDs – with no tags, names, or order. This way I myself have no idea what I want to do, where I want it to go, or ‘who’ I want to have on it. I just take the music as it comes, and let it take me where it may, searching blindly, only by feeling, basically like walking in the dark, rather than knowing where I am or where I’m going, instead finding my way with each step.
As with every mix I have ever made in my life from my first ever over 20 years ago (which, incidentally, was also ambient), there is no tracklist. Anyone who has heard the once-every-million-years mixes I’ve done before should be used to that, though, and should know why. It’s not because I think I’m too cool, or that I think I have something others don’t. In fact, I’d be willing to bet the exact opposite is true. I just don’t believe in people looking at a tracklist before they listen to a mix. You shouldn’t have pre-conceived notions going into it, be mentally already mapping it out, or have any judgments of any kind. A mix is its own entity… not countless small ones that need to, or should be broken apart… and it should be preserved in that way. You should just listen and experience, and go where it takes you. Simple as that. Just listen, just feel, and revel in the fact that not everything in life needs to be figured out – but instead just experienced, and to later echo in your memory in whatever forms it decides to take.
It's not a mix for the casual ambient listener. It requires patience and perseverance, but hopefully it’s worth it in the end – just like sleep… and life I guess. I hope it can give you some peace, and also maybe help those who, like me, are Sisyphus at the base of the mountain every night when others have been at the top for ages, sound asleep. Thanks and I hope you like it


Monday, 22 December 2014

Andy Gotts: Billie Whitelaw

Andy Gotts

HEGO: Peter Greste (MEAA Redfern Sydney)

Peter Greste

Islamism is no longer the answer

Four circles no overlap

Prosecute Torturers and Their Bosses

Victoria Clarke interviews her partner Shane MacGowan about Fairytale of New York

At this time of year, one cannot avoid hearing the song ‘Fairytale of New York’. It is one of the most popular Christmas songs ever written. And while I am delighted and proud for Shane, the song is a constant reminder of how much we have in common with the bag lady and the tramp in the song. It also reminds me of how very lucky we are to still have each other, to have managed to stay together through very good times and very bad ones.
Over the years, I must have heard Shane sing that song thousands of times. And yet, I realised that it isn’t something we ever talk about. And so, when I was asked if I knew the story behind the song, or how long it took to write or how Shane really feels about it, I realised that I did not know any of these things. And when I did investigate, I was surprised by what I discovered...
Continue reading

The Endlessly Examined Life

Kool DJ Red Alert - Live on KissFM NYC (Dec 1984)

Yan Jun
: Speakers Have A Right To Die

Abbott says his top achievement as Minister for Women was carbon tax repeal...

You CANNOT make this up

Q-Tip's message to Iggy Azalea

HipHop is a artistic and socio-political movement/culture that sprang from the disparate ghettos of NY in the early 70's / Coming off the heels of the CIVIL RIGHTS MOVEMENT and approaching the end of the Vietnam war it was a crossroads 4 America / specially for blacks in the US our neighborhoods were PROLIFERATED w/a rush of HEROINE / our school systems here in NY dungeon traps with light for learning / blk men some of whom didn't return from tours of duty n the ones who did came w/war baggage (agent orange, addiction, ect..) / these men had families but due to these events and throw into the mix the public emasculation... / they proved to be handicapped parents. The surrogate parents? The STREETS / the streets of gangs, crimes, and the hustlers coddled us and swept us up / but! Being a spirited, rhythmic & expressive people music art dance outlined our existence / it proved a way for us to exhault to scream to dance to laugh and find OUR VOICE / we weren't at the same time skilled musicians as kids. We had records, turntables, ideas and INGENUITY / being natural chemist we took from whatever was availed to us and we created something mighty and special / we cut breakbeats back n forth we took a hybrid of Jamaican toasting along w/ radio jock rap( hank Spann, Gary Byrd, ect.) and / we put our rap down.. / it was a neighborhood thing really. Black and Latino kids were carving out their space and it became infectious / eventually Keith Cowboy coined the phrase hiphop. Yrs later the first rap record was recorded and now we r moving / but during these strides this country still had the monster of racism and racial insensitivity breathing and ruling / believe it or not young black n Latino lives specifically weren't acknowledged in mainstream American culture unless Ofcourse.. / the convo was abt gangs , being criminals or uneducated. And hey! Like I stated early our families were rushed our schools / sucked and we were left to put devices to survive / but HIPHOP showed that we had DEPTH, fire, and BRILLIANCE / the music was undeniable! It moved from NY N became national and even GLOBAL / hiphop now was FOR EVERYBODY!! All of those who cld relate to the roots, the spirit, the history, the energy.. It reached YOU / it touched your spirit n took u up. We magnetized you! That's what brilliance DOES / now u are fulfilling your dreams ... BUT! / you have to take into account the HISTORY as you move underneath the banner of hiphop. As I said before / hiphop is fun it's vile it's dance it's traditional it's light hearted but 1 thing it can never detach itself from / is being a SOCIO-Political movement. U may ask why ... Well / once you are born black your existence I believe is joined with socio-political epitaph and philos / based on the tangled and treacherous history SLAVERY alone this is the case / It never leaves our conversation... Ever. WeAther in our universities our dinner tables our studios or jail cells / the effects still resonates with us. It hurts... We get emotional and angry and melancholy / did u know president Clinton was the ONLY PRESIDENT to apologize for it? / did u know that remnants of slavery exist today thru white privilege? When certain "niceties" r extended your way because of / how u look? Isn't that crazy? I say this 2 say u are a hiphop artist who has the right 2 express herself however she wishes / this is not a chastisement this is not admonishment at ALL this is just one artist reaching to another hoping to spark insight / into the field you r in. I say this in the spirit of a hopeful healthy dialogue that maybe one day we can continue / I've been on twitter a long time and this will probably be my last series of tweets pretty much but / I'm Kool with it as long as I got to share w u. Zzzzzzz's up! Peace!

Jane Bown: Samuel Beckett

R.I.P. Jane Bown

Billie Whitelaw R.I.P.

Sunday, 21 December 2014


Lucinda Williams - npr Tiny Desk Concert

James Fitton: London Transport Posters (1948)


New Riders Of The Purple Sage - Live at Beat Club Bremen (29/5/72)

The Drug-Crazed Majesty of Gram Parsons

It's the 21st of December...(Gravy Day)

Saturday, 20 December 2014

Kate & Anna Mc Garrigle, Lou Reed, Laurie Anderson and Rufus & Martha Wainwright - Blue Christmas


NORAD's Santa Tracker Began With A Typo And A Good Sport

The race to save Peter Kassig

Interesting maybe?

Friday, 19 December 2014

Pharmakon - Body Betrays Itself


Animal Pharma - Pantomeme

The third album by Lucas Modzelewski AKA Animal Pharma - Pantomeme - was recorded in Pakenham, Melbourne CBD and the Royal Melbourne Hospital - at the expense of my guts

Spot's Gorgeous, Desolate Photos of 1970s LA

John Waters and Santa Claus Baltimore Maryland early 1950’s


Dear Jesus...

Dean Blunt: Black Metal

Black Metal